I'm always reading something, usually multiple books at a time.
Hear Sydney mother and well-known cellist Clementine Hart share her story: "One Ordinary Day."
Clementine has been delivering this talk to local "community" groups at settings like libraries and similar meeting places. The book opens on one of these talks, two months after the "ordinary day" in question. On that day, Clementine, her husband Sam, and their young daughters Holly and Ruby attended an impromptu barbecue next door to the house of Clementine's oldest friend Erika. Originally, Erika and her husband Oliver had invited the Harts to their home for tea, but their gregarious neighbor Vid, inspired by the beautiful day, made the spontaneous invitation when Erika encountered him on her way home from picking up refreshments for the tea.
The "ordinary" day takes an unexpected turn that affects everyone who was there--and in the couple of months that have passed, everyone questions what exactly happened and why. What if the barbecue hadn't been held? What if the invitation had been declined?
Clementine and Erika have a complicated relationship. When they were very young, Clementine's mother Pam, a social worker, noticed little Erika sitting alone and urged Clementine to "be kind" and befriend her. Erika's mother Sylvia had become a hoarder following her husband leaving. Pam became something of a surrogate mother to Erika, and their home a refuge of order and cleanliness. There is an element of rivalry, among other traits, to the friendship between Clementine and Erika.
The narrative moves back and forth in time between the day of the barbecue (plus the day right after) and a time frame that starts two months after that fateful evening. The narrative perspectives (told in third person) include Erika, Clementine, Sam, Oliver, Vid, Vid's wife Tiffany, and Vid and Tiffany's daughter Dakota. There is a bit of a spiral effect, as the book takes the reader bit by bit through the fateful day and reveals just why it turned out to be not so ordinary. I don't want to give away any of the book's secrets, so I will just say I felt it was a trip well worth taking.
Although I was primarily listening to this narrative in audio format, I had also checked out the hardcover, because sometimes when I listen to something, my brain takes a little trip, and I like to review certain bits of the text version after this happens. Then sometimes I get so involved in the text version, I end up finishing that way. Which is what happened this time. I ended up reading maybe the last 20-25% as text. Then as I was writing this review, I recalled that the audiobook had bonus content at the end: an interview between narrator Caroline Lee and the author, Liane Moriarty. So I took a little break to listen to that--it's mostly the narrator interviewing the author. One interesting tidbit is that Moriarty never listens to the audibooks, just as she doesn't read her finished books, but she gets a lot of positive feedback about Lee's narration. This is the third Liane Moriarty book I've listened to/read, and I've come to appreciate that Caroline Lee really adds something to the characterization.